 Helium Balloons
Lighting the Caves
New York Choroegrapher Doug Varone and
his Dance Group were the subject with the massive Caves
providing the grand backdrop.
Doug wanted the camera to become part
of the performances in the different sections of the
caves so the camera was choreographed into the dance
sequences becoming another member of the ensemble. Doug's
visualization of the number and his use of the camera
provided some elegant staging presenting several unusual
lighting challenges.
Freeing the camera meant having the Hi
Def Camera almost constantly on Steadicam
(Operator-Sheila Smith) so it could move along with and
amongst the dancers. Lighting became a challenge as there
was literally nowhere to put lighting units without them
being seeing.

The Dancing Ball of Light

Watching playback with Doug
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Face of America is an
eight part series Produced by Wolftrap Foundation for the
Performing Arts and presented as film in conjunction with
a live performance at Wolftrap August 24th, 2002. The shoot presented many challenges, not the
least of which was shooting underground in gigantic
caverns which make up part of the more than 300 miles of
caves and tunnels in the Mammoth Caves System.
For a full desription of the intent of
the Project hop on to
WOLFTRAP-FACE OF AMERICA

Doug Varone Rehearsing with Dancers
Having used Helium Balloons (from
Available Light in NYC) extensively on the TV Series ED I
decided this might be a viable solution as the light
could be hidden from view almost regardless of camera
angle whilst providing a large, diffused soft source. The
challenge then was to keep it from becoming flat AND to
maintain some consistency in exposure with the Dancers
moving through a large area.
The result was I choreographed the
movement of the light into the dance so the whole piece
became a fluid interaction of dancers, camera and
lighting.
Gaffer Tully McCulloch, who has worked
with me since The Spitfire grill, took care of the power
requirements in the caves along with a small band of PA's
who placed lamps well off in the BG around bends in the
tunnels, to provide some depth.
The amazing latitude of the 24P camera
and some effective "tweaks" to the setup led to
some spectacular footage to be seen on the three giant
screens at Wolftrap...August 24th.
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